#Pathology movie movie#

#Pathology movie movie#

Smith doesnвЂ™t overplay, like Weston, or appear board-stiff, like Ventimiglia, but every time Juliette approaches intrigue - her strategically placed (if predictable) lie about her past, or a quiet look of remorse - the movie backs away. The bad girl, Juliette (Lauren Lee Smith) is more interesting - or would be, if the filmmakers had thought of anyone as characters, rather than bodies. The film is so debauched that Alyssa Milano plays the good girl (TedвЂ™s barely-there fiancГ©). His aesthetic isnвЂ™t as addled or hyperactive as that of his writers, but Pathology still traffics in cartoony luridness, with most of the characters acting more like aggrieved junior high students than any plausible adult. When it becomes obvious that only the most attractive students are involved, it hits you: itвЂ™s the board-game Clue meets GreyвЂ™s Anatomy, right down to the hero named for maximum pun-tential.ДЇor a bloody horror movie designed by Neveldine and Taylor, Pathology begins with relative restraint, and Schoelermann maintains a sense of control (if not exactly decorum) throughout the editing is smooth and the cinematography is polished, even well-composed. Led by Jake (Michael Weston), the students take turns committing murders on the sly, challenging the others to solve the crimes using their autopsy skills (they also drive drunk, smoke crack, and have sex with each other, I guess as additional handicaps). Pathology has a more traditional hook: gifted medical student Ted Grey (Milo Ventimiglia) works in a hospitalвЂ™s pathology unit, where he becomes embroiled in a deadly (and messy) game conceived by other overachieving attendants. That film was clear extension of a gearhead/videogamer mentality: energetic and entertainingly ridiculous, unabashed in its over-the-top velocity, but a touch meatheaded.

They previously wrote and directed the Jason Statham action picture Crank, in which StathamвЂ™s character had to keep his adrenaline up beyond a certain level in order to stay alive. As Ted becomes seduced into their wild extracurricular activities the danger becomes real and he must stay one step ahead of the game before he is the next victim.The director of Pathology is Marc Schoelermann, but the key to its sensibility lies with the screenwriters: Mark Neveldine and Brian Taylor, credited as a single entity (вЂњNeveldine/TaylorвЂќ). Intrigued by his new friends, he begins to uncover secrets he never expected and finds that he has unknowingly become a pawn in their dangerous and secret after-hours game at the morgue of who can commit the perfect undetectable murder. With talent and determination, Ted is quickly noticed by the program's privileged and elite band of pathology interns who invite him into their crowd. When med school student Ted Gray (Milo Ventimiglia) graduates top of his class, he joins one of the nation's most prestigious Pathology programs. As a result they are the experts in all signs of foul play and the best in the field can uncover all means of killing, even those that are seemingly undetectable. As doctors, they see the perversion and corruption of the flesh by all means unnaturalвЂ¦ by violenceвЂ¦ by toxinвЂ¦ by madnessвЂ¦ to determine the cause of death. HereвЂ™s what the distributor says about their film: вЂњSome say that Pathology is a window to God. Marc Bienstock, Gary Gilbert, Gary Lucchesi, Mark Neveldine, Eric Reid, Yan Fisher Romanovsky, Tom Rosenberg, David Rubin, Barrett Stuart, Brian Taylor, Skip Williamson Lauren Lee Smith, Dan Callahan, Johnny Whitworth, Mei MelanГ§on, Alyssa Milano, Keir O'Donnell, John de Lancie вЂњ Garden State,вЂќ вЂњ The Dukes of Hazzard,вЂќ вЂњCoyote UglyвЂќ вЂњHeroesвЂќ (TV series), вЂњ Rocky Balboa,вЂќ вЂњDirty DeedsвЂќ